fff ensemble

an interdisciplinary feminist improv collective

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BASIC INFO

 

origin//

Bay Area, California, USA

 

keywords//

New Music, Experimental Art,

Interactive Technology, Improvisation, Interdisciplinarity & collaborativeness

years active//

2018-present

 

COLLABORATORS

Bio//

 

Doga Cavdir is a Ph.D. candidate at Stanford's Center for Computer Research in Music and  Acoustics (CCRMA). Her work explores gestural interaction and performers' expressive movements in musical instrument design, manufacturing, and performance. 

COLLABORATORS

Bio//

 

Michele Cheng is an interdisciplinary artist who uses music, experimental theatre, and other forms of media to be in dialogue with social issues and cultural identities. Taking a journalistic approach through interviews and research, she develops creative projects that reflect on complex social issues in hopes of broadening public understanding as well as her own awareness.

COLLABORATORS

Bio//

 

Simona Fitcal is a media artist, whose work offers a symbolic and expressive approach to digital visual effects by means of experimental video, multimedia performances, art installations, and interactive art. She often collaborates with musicians and programmers to bring a different dimension to her work. Fitcal is a graduate of the MFA Program in Art Practice in the Art and Art History Department at Stanford University. She holds an MA in Digital Media from the University of the Arts Bremen, Germany. She is a recipient of 2015 Murphy and Cadogan Award in film/video.

COLLABORATORS

Bio//

 

Julie Herndon is a composer and performer working with internal/external space through improvisation, text, graphics, and electronics. Her work explores the body’s relationship to the self, to performance, and to tools like musical instruments and personal technology. 

COLLABORATORS

Bio//

 

Tiffany Lin is a visual artist, wordsmith, and dreamer. Through drawing, writing, and performance, her work investigates the nebulous distinction between want, need, and desire in context of political and capitalist spectacles. She holds a MFA from the Maryland Institute College of Art in Illustration Practice and a BA in Gender & Women's Studies and Psychology from the University of California, Berkeley.

COLLABORATORS

Bio//

 

Barbara Nerness is a PhD student at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, currently working at the intersection of sound, space, and mind. She is interested in technological subversion, telling stories through immersive audiovisual performance, and auditory neuroscience. 

COLLABORATORS

Bio//

 

Patricia Robinson mixes digital design and visual experiences to create work around art, music, technology, and social change. Influenced by New Media and Communication Design, Patricia aims to explore the ways computational and natural forms change perception and simplify environments. Her practices balances expressiveness and functionality via data visualization, electronics, graphic design, interaction design, performance, and programming.

COLLABORATORS

Bio//

Stephanie Sherriff is an interdisciplinary media artist. Her work with sound, video, and plants is ephemeral in nature and culminates as time-based installations and performances that deconstruct familiar fragments of daily life through experimental processes. She received a BA from San Francisco State University in 2014 and an MFA in Art Practice from Stanford University in 2019, where she holds a position as lecturer in both the Music Department and the Art & Art History Department. Her work has been shown at the Brooklyn Academy of Music in New York, the Sfendoni Theater in Athens, Greece, and a diverse range of cultural organizations across the Bay Area.

COLLABORATORS

Bio//

 

Michiko Theurer is a violinist, artist, and second-year musicology student at Stanford. She seeks to create shared spaces through interdisciplinary resonances.

COLLABORATORS

Bio//

Katherine Whatley is a koto musician and PhD student in Japanese Literature at Stanford University working on gender and music in premodern literature. Her musical interests include free jazz and improvised music, improvised music in the context of non-Western and folk music, Japanese jazz, field recordings, noise music and sound art.

 

COLLABORATORS

Bio//

Julie Zhu is a composer, artist, and carillonneur. Her work is visual and aural--from artist books to sculptures and installations, sound walks to chamber music--operating on an expansive definition of score, striving for a new conceptual sincerity.

 

WATCH

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EVENTS

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Upcoming//

Jocelyn Ho + fff ensemble: Women's Labor

Date: March 8, 2020 (Sun) 2:30 pm

Location: CCRMA, Stanford University

More details are coming up!

A concert in celebration of the International Women's Day.

CONCERT SERIES 1.0

Date: Jan 26, 2019 (Sat)

Location: CCRMA stage, Stanford University

improvisation and performance by: 
Michele Cheng, Julie Herndon, Barbara Nerness, Stephanie Sherriff, Michiko Theurer, Julie Zhu

performing works by:
Michele Cheng, Robert Fleitz, Kerrith Livengood with instruments created and extended by Patricia Alessandrini, Barbara Nerness, Stephanie Sherriff, and Julie Zhu. 
 

OPENINGS

Date: May 10, 2019 (Fri)

Location: CCRMA stage, Stanford University

Join Christopher Costanza, Christopher Jette, and members of the fff ensemble (Doga Cavdir, Michele Cheng, Simona Fitcal, Julie Herndon, Tiffany Lin, Barbara Nerness, Patricia Robinson, Michiko Theurer, and Julie Zhu) for an evening of sonic and visual questions and openings. The program will include Bach’s C-minor suite for solo cello, performed by Costanza and ending with Bach’s original experimental retuning of the cello; brief selections for violin by Bach and György Kurtag, performed by Michiko Theurer; and musical and intermedia explorations envisioned and performed by Christopher Jette, Michiko Theurer, Patricia Robinson, Tiffany Lin, Barbara Nerness, Simona Fitcal, Doga Cavdir, Julie Herndon, Julie Zhu, and Michele Cheng.

 

© 2019 by fff ensemble.

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